• Worked in teams of varying size & build - on engineering teams of 2-15 people, under engineering leads and production/stage managers; sometimes occupied role as team lead
• Gathered needs and functional requirements from clients & presented those findings to a production team
• Developed technical specifications and audio schema based on artist input, user needs, & venue resources
• Crafted user experience for both artists and audience
• Maintained & troubleshot technical systems - worked with schematics & documentation, tracked issues & communicated these to managers & clients
• Established streamlined workflow processes across an engineering team (building & iterating on template files, calibrating PA systems, organizing shared equipment) & with artists (operational milestones, audio schema)
• Responsible for facilitating live music performances with a high production value and in a timely manner on a tight production schedule
• Long-standing contract work and/or staff positions (further itemized below in Experience section):
• venues incl. Caribou Room (’17-present), Lazy Dog Live Music (’15-’19), Pop-Up (’17-18), Boulder Theater (’15-’19), Fox Theater (’15-19)
• annual festivals incl. Upslope Get Down (3x), Frozen Dead Guy Days (3x), Hanuman (2x)
• companies incl. Sweetwave Audio, Z2 Entertainment, Front Range Backline
• private clients & bands
• My roles sometimes expanded to Stage Manager, Artist Liaison, Lighting Designer, Backline Tech, Stagehand
